Hong Sangsoo returns with In Our Day, a delightful tale that reminds us that contentment can be found in a drink of soju or a puff on a cigarette.
In Our Day Find Profundity in the Very Smallest of Things
Category: Cannes 2023
The biggest film festival in the world, you can’t talk about film without talking about Cannes.
All To Play For. Not Enough to Stay For.
All To Play asks if love is enough to keep a family together in this safe, carefully modulated social realist French drama starring Virginie Efira.
A Song Sung Blue Is Not The Warmest Colour
A Song Sung Blue has every shade of blue you can hope for. But perhaps gorgeous aesthetics can only get you so far. Playing at Directors’ Fortnight.
“We are not used to seeing these kinds of bodies” — Elene Naveriani on Blackbird Blackbird Blackberry
Elene Naveriani shares casting Eka Chavleishvili, portraying older bodies, and casting a critical eye over rural Georgia in Blackbird Blackbird Blackberry.
About Dry Grasses. Toxic Masculinity Classes.
Turkish auteur Nilge Bilge Ceylan returns with another long study of a toxic intellectual with the brilliant, Anatolian-set, About Dry Grasses.
Marguerite’s Theorem Cracks Under Its Own Formula
Marguerite’s Theorem is proof that making movies about maths only works when you’re willing to forego generic filmmaking formulas.
Omen Can Create But it Cannot Destroy
Omen is a visually inventive, often fascinating exploration of Congelese mores, but lacks incisiveness. Now playing in Un Certain Regard at Cannes 2023.
Blackbird Blackbird Blackberry. Pure Cinema Poetry.
With their third film, Blackbird Blackbird Blackberry, Georgian director Elene Naveriani re-asserts themselves as a major voice in world cinema.
The (Ex)perience of Love Has Music in It
The (Ex)perience of Love, playing in Critics’ Week, is a silly movie. But its fantasy premise is treated with smarts and sensitivity, making for a fun watch.
The Rapture Isn’t Arriving Today, Sorry.
An enigmatic first half is undone by a mid backend in mysterious French noir The Rapture, playing in Critics’ Week at Cannes.