Jurassic World Rebirth is a welcome return to form for a franchise that had severely lost its way, even if the final screenplay is somewhat wanting.
Jurassic World Rebirth Puts the Awe Back in Dinosaur
Redmond Bacon
Redmond is the editor-in-chief of Journey Into Cinema.
Gatsby with the Dad Jokes
Tim Key provides a masterclass of tragicomic acting in the subtle yet often hilarious The Ballad of Wallis Island, replete with brilliant folk songs.
The Salt Path Takes a Hike
Despite its beautiful scenery and excellent performances, coastal drama The Salt Path can’t walk its way into a compelling storyline.
Breathless (1983) — Don’t Respect the Original!
With 1983’s Breathless, we see the key bridge between Godard’s playfulness and Taratino’s particularly American postmodernism. Available on Tubi!
Ride or Die. Love, Fight, Cry.
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
It’s a Wonderful Dog!
A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
Dandelion’s Odyssey Equates the Cosmos with a Single Flower
Despite the powerful idea at its core, the fundamental premise of Dandelion’s Odyssey makes it extremely hard to identify with its characters.
The Phoenician Scheme. Wes Anderson’s Most Inessential Film.
The Phoenician Scheme is a spy caper that feels like a glorified cameo-fest, and is the first Wes Anderson film that feels completely inessential.
Wild Foxes Bobs and Weaves Through the Minefields of Toxic Masculinity
Valery Carnoy’s boxing drama Wild Foxes boasts a standout performance from Samuel Kircher as a teenage boy navigating the mindfields of masculinity.
Of Mice and Meteors
A friendship without familiarity characterises the deeply annoying Meteors, inexplicably playing in Un Certain Regard at the Cannes Film Festival.