Bringing together footage from 40 different people, Super Nature is a testament to the magic of Super 8 to capture the wonder and ephemerality of nature.
“Super 8 feels like you’re holding onto a memory or a dream” — Ed Sayers on Super Nature
Sketches
Sweet and earnest dives into the bowels of cinema.
Steven Seagal Loves to Wear Your Prom Dress
Steven Seagal is the master of cultural appropriation in Hard to Kill, On Deadly Ground, The Patriot, Belly of the Beast and Today You Die.
No Sex Please, We’re American
One Night Only imagines a world where sex is only permissible once a year, splitting the difference between fun comedy and puritanical views on intercourse.
In Disclosure Day, Spielberg Goes Astray
Steven Spielberg’s latest original science-fiction is a return to familiar territory, yet it pales in comparison to the famed directors’ greatest works.
Cannes Is In Crisis
Between weak films, absent Americans and a French cinema on the brink of collapse, the Cannes Film Festival appears to be facing a rare crisis of authority.
Something Rotten on the Isle of Anglesey
A romantic trip to the Welsh goes horribly wrong when emails from a deceased ex-boyfriend threaten to derail everything in Worm, Ned Caderni’s assured debut.
Michael, Stop. We’ve Had Enough.
In our first edition of Double Take, Redmond and Jared discuss Antoine Fuqua’s misguided and insidious Michael Jackson biopic.
“You never see factories in cinema” — Christian Petzold on Miroirs No. 3
Christian Petzold sits down with Journey Into Cinema to discuss Miroirs No.3, arguing with his family, and why repairing things is the opposite of capitalism.
10 Best Films 2025
From One Battle After Another to Den of Thieves 2: Pantera, Sirāt to Pillion, here’s Redmond Bacon and Jared Abbott’s picks for the best films of the year.
Cult Classic Twin Cheeks: Who Killed The Homecoming King? Finally Reemerges From Its Camcorder Swamp
Kelly Hughes’ long-unavailable and unique queer outsider artwork Twin Cheeks: Who Killed the Homecoming King? finally makes its way back into the public eye.