Life isn’t a movie. But Tale of Cinema shows us all the wonderful things that can happen when the line between the two is blurred.
Tale of Cinema — Wrong Then, Wrong Now

Exploring the Outer Edges of Film
Short and sweet dives into the bowels of cinema.
Life isn’t a movie. But Tale of Cinema shows us all the wonderful things that can happen when the line between the two is blurred.
Boris Godunov transports us into a different world, even if Russia itself seems impervious to any kind of meaningful change.
The message is obvious. The style is undeniable. Here is why the way Triangle of Sadness is shot is more important than what it’s about.
The Core’s cast of almost entirely B-actors shows the need for star power when saving the world.
Classical camerawork subtly tells us who’s really in charge in Rod Lurie’s compelling yet underfortified military-prison drama.
A cross-jurisdiction thriller featuring murder, sex, intrigue, and Wesley Snipes seemingly unbothered by anything at all.
Clint Eastwood takes an unconventional look at fighting the state in Absolute Power — creating a low-key libertarian statement in the process.