Between weak films, absent Americans and a French cinema on the brink of collapse, the Cannes Film Festival appears to be facing a rare crisis of authority.
Cannes Is In Crisis
Cannes
The biggest film festival in the world, you can’t talk about film without talking about Cannes.
Theatre at War
Lukas Dhont’s follow up to Close (2022) is a touching tale of art-making during war, touching on themes of sexuality, fantasy and the harshness of reality.
The Kieślowski Universe
Asghar Farhadi’s Parallel Tales has been critically panned, but our reviewer found its tribute to the work of Kieślowski remarkably touching.
Titanic Ocean Is No Ordinary Film
With an impossibly beautiful aesthetic, Konstantina Kotzamani’s Titanic Ocean is a unique mermaid movie that transports you to another world.
Death Has No Master. A Vapid Colonial Drama.
Asia Argento stars as a wealthy heiress returning to a scarred Venezuela in Jorge Thielen Armand’s entertaining yet vapid Death Has No Master.
Her Private Hell? Absent Parents.
Told with his usual neon-heavy aesthetic, Nicolas Winding Refn’s Her Private Hell is a beguiling tale of absent parenthood, playing Out of Competition.
Avedon. Imagination and Reality.
Ron Howard’s tribute to Richard Avedon is a faithful exploration of how the famed photographer invented reality with his imaginative photographs.
Promised Spaces. Liminal Traces.
Angela Schnalec’s DOP travels to Cambodia for an intellectually rigorous, if slightly tedious docufiction about the rich-poor divide.
Simple Plans Are Never Simple
A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.
La Perra Woofs the Landing
With films about dogs easy to love — because after all, who doesn’t love dogs — it takes a special talent to make something as cynical and ugly as La Perra.