Aina Clotet’s woman-in-crisis picture Viva is a thrilling tale of female reclamation — an easy standout from Cannes Critics’ Week.
Viva is Wonderfully Messy and Alive
Critics’ Week
Dandelion’s Odyssey Equates the Cosmos with a Single Flower
Despite the powerful idea at its core, the fundamental premise of Dandelion’s Odyssey makes it extremely hard to identify with its characters.
Nino Messily Navigates the Storm
A messy weekend following a life-changing diagnosis characterises Pauline Loquès’ Nino, a touching drama about trying to pull yourself together.
Love Letters. Look Who’s Writing Too.
The pitfalls of lesbian parenting as well as the messy realities of modern-day relationships are expertly navigated in Critics’ Week film Love Letters.
A Useful Ghost’s House of Haunted Hoovers
Ratchapoom Boonbunchachoke’s debut feature A Useful Ghost is a remarkably profound — and silly — reverie on love, loss and assimilation.
Kika’s Dominatrix Service
BDSM and domination is used as a metaphor for the human condition in Alexe Poukine’s Kika, a deeply heartfelt tale about overcoming grief.
Baby Works His Way Out of a Corner
Marcelo Caetano’s Baby might combine reliable and clichéd tropes, but Caetano’s sex work study succeeds thanks to its keen observation of queer communities.
What we ask of a statue is that it doesn’t move. Prodding the Parthenon.
With alacrity and charm, Daphné Hérétakis’ short What we ask of a statue is that it doesn’t move takes aim at one of Greece’s most enduring national symbols.
Block Pass. A Tyred Vintage.
Antoine Chevrollier’s Block Pass captures its working-class milieu well but suffers due to its tired secondhand framing of queer suffering.
Sauna Day. Intimate Masculinity on Display.
Sauna Day, Anna Hints follow-up to Smoke Sauna Sisterhood, trades female intimacy for male suppression, to eroticised and compelling results.