Puncturing through the noise of endless movies playing throughout the world with our selection of underseen 2024 festival favourites worth checking out.
Underseen Festival Favourites 2024
![](https://journeyintocinema.com/wp-content/uploads/2024/02/through-the-graves-the-wind-is-blowing-480x253.jpg)
Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
Puncturing through the noise of endless movies playing throughout the world with our selection of underseen 2024 festival favourites worth checking out.
The splendours of Parajanov, Neapolitan artistry and a variety of Armenian shorts show how art can redeem us and help us process past and present difficulties.
From refugees writing their own stories to a girl’s search for her mother turned fascinating metafiction, today’s Golden Apricot offerings rewrite the rulebook.
Whether you’re in Lithuania, Brazil or Benin, we all have someplace we’d rather be. Live from Golden Apricot International Film Festival.
The story of Armenia’s complicated suffering is laid bare in two stylistically opposite yet thematically linked films. From Golden Apricot Film Festival.
With a tight 1:1 ratio and an eye for arresting visuals, Windless sure looks great, but its grief-laden tale fails to hit with the viewer emotionally.
A study of a young confused man that examines the changing mores of Georgian society, Panopticon fails to stimulate the brain or the heart.
With a stripped-back aesthetic, Mara Tamkovich’s debut Under the Grey Sky carefully surveys the cost of practicing independent journalism in modern-day Belarus.
Jean-Christophe Meurisse’s Plastic Guns doubles down on the provocations of Bloody Oranges in an off-kilter, hilarious and deeply nasty farce.
Marcelo Caetano’s Baby might combine reliable and clichéd tropes, but Caetano’s sex work study succeeds thanks to its keen observation of queer communities.