Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
Arrested Memory. Frontal Underload.
Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
Sabu’s Arrested Memory is a weird blend of crime comedy, emotional journey and martial arts movie. None of it really coheres.
Subverting the usual expectations of true crime, The City of the Living is noticeable for the amount it focusses on the victim of a notorious Roman murder.
Francesca Archibugi’s Carla Lonzi, a Feminist Story is a touching remembrance of one of Italy’s most trailblazing feminists.
Un détour par Diane by Ann Sirot and Raphaël Balboni expertly blurs the boundaries between one woman’s lived experience and another’s emotional life.
Denis Ménochet lends tremendous gravitas to a Macron-esque president trying to avert nuclear war in Alexandre Smia’s Jupiter, playing in Out Of Competition.
Two films at Locarno display how often the practice of Christianity contradicts the principles of kindness and empathy found in the New Testament.
The use of artificial intelligence in Edgar Pêra’s Asphalt Guerrilla may be inspired by good intentions, but it bodes poorly for the future of documentaries.
A modest yet touching documentary, Emil Langballe’s Petrolheads examines addiction, mental illness and the redemptive power of friendship and cars.
Coming-of-age movies in recent years are usually snoozy; Giovanni Tortorici’s whipsmart funny Ketticè is the wonderful exceptional to that rule.
Axel Bertha talks to us about his debut feature Against Nature, casting non-professional actors and being mentored by Carlos Reygadas.