Controversial at Cannes, the Karlovy Premiere of The Unknown (L’Inconnue) reveals a mysterious and beguiling experience, starring Léa Seydoux.
The Unknown. Getting Lost in Arthur Harari’s Enigmatic Puzzle.
Exploring the Outer Edge of Film
Lying in a historic Spa town, Karlovy Vary Film Festival is one of the most relaxing places in the world to enjoy cinema.
Controversial at Cannes, the Karlovy Premiere of The Unknown (L’Inconnue) reveals a mysterious and beguiling experience, starring Léa Seydoux.
Small yet powerful, Five Years, Four Months takes an almost structuralist approach to grief, showing one mother’s unending journey to find her missing son.
Miroslav Terzić’s follow up to Stitches (2019) is a devastating exploration of the infinity cruelty of children that makes Adolescence look like Bluey.
My Friend the Porn Star appears to be curious about the porn industry, but it rarely leaves the rarefied air of very specific Viennese friend groups.
In a deeply cynical world, the moral clarity of WW2 escape drama The Last Chance is extremely refreshing.
With a savage precision, Andrius Blaževičius’ film How to Divorce During the War pushes the limits of Baltic solidarity for Ukraine.
Returning to the big screen 72 years after its Karlovy Vary premiere, Cecil Holmes western Captain Thunderbolt is an unsung gem of early Australian cinema.
With echoes of classic Dogme 95, The Guest gets great mileage out of Trine Dyrholm as a chaotic mother upsetting a Danish christening.
The Luminous LIfe director João Rosas discusses using cinema as cartography and charting the life of the same child through different films.
Films by Gena Rowlands and John Garfield at Karlovy Vary International Film Festival show us the deep emotional power of the method acting approach.