Angela Schnalec’s DOP travels to Cambodia for an intellectually rigorous, if slightly tedious docufiction about the rich-poor divide.
Promised Spaces. Liminal Traces.
Redmond Bacon
Redmond is the editor-in-chief of Journey Into Cinema.
Simple Plans Are Never Simple
A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.
Another Unhappy Family, Excellently Portrayed
Valentina Maurel’s sophomore feature, Forever Your Maternal Animal, is a touching tale of familial bonds, mental illness and feminine sexuality.
Shana. Chaos Under Pressure.
Anchored by an excellent performance by Eva Huault, Shana is a deeply entertaining Parisian-set tale of Jewish identity and feminine chaos.
Viva is Wonderfully Messy and Alive
Aina Clotet’s woman-in-crisis picture Viva is a thrilling tale of female reclamation — an easy standout from Cannes Critics’ Week.
Something Rotten on the Isle of Anglesey
A romantic trip to the Welsh goes horribly wrong when emails from a deceased ex-boyfriend threaten to derail everything in Worm, Ned Caderni’s assured debut.
Michael, Stop. We’ve Had Enough.
In our first edition of Double Take, Redmond and Jared discuss Antoine Fuqua’s misguided and insidious Michael Jackson biopic.
Heat. A Bleak Glass Desert Mirage.
Capturing the Gulf States as they suffer from temperatures rising over 50 degrees, Jacqueline Zünd’s Heat is a bleak and bold artistic vision.
The Roots of Madness (It’s America)
The Roots of Madness is an excellent exploration of American intervention in the Middle East that sadly suffers from a fatal omission.
We Have To Survive Contemplates a World in Crisis
In We Have to Survive, Tales from Greenland, Australia, North Carolina and Mongolia show how the world is united in one thing: the threat of climate change.