The first film to tackle the Chernobyl disaster, Mykhailo Belikov’s Decay is a fascinating historical document and a gripping work of poetic disaster cinema.
Decay. Peak Perestroika.
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
The first film to tackle the Chernobyl disaster, Mykhailo Belikov’s Decay is a fascinating historical document and a gripping work of poetic disaster cinema.
Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
The well-meaning Yugo-Danish drama Home offers a nuanced portrait of migration and integration, but never really takes off dramatically.
A broken fridge-freezer becomes a metaphor for the breakdown of a family — and perhaps society itself — in uneven comedy Complaint No. 713317.
Why Do I See You in Everything? surveys the notion of home amid living in exile, but feels unfocussed while tending towards the tedious.
Bright Future entry White Lies is a remarkable non-fiction debut about the lingering effects of living in a cult upon an ordinary Italian family.
Conrad & Crab – Idiotic Gems by Claude Schmitz is a cosy French mystery movie that scratched an itch I didn’t even know I had. Sequels please!
Despite, or perhaps because of, its cringe characters, Tell Me What You Feel is a heartfelt exploration of whether art and love can really understand trauma.
Sentimental Value star Renate Reinsve returns in a much more forgettable drama: the absolutely dire Gran Canaria set comedy-drama Butterfly.
Barbara Forever is a loving tribute to the life and work of Barbara Hammer that excellently shows how she paved the way for many queer filmmakers to come.