A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.
Simple Plans Are Never Simple
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
A simple plan goes fiendishly out of hand in Dying Twice, Living Thrice, Karim Lakzadeh’s existential critique of modern day Iran.
Valentina Maurel’s sophomore feature, Forever Your Maternal Animal, is a touching tale of familial bonds, mental illness and feminine sexuality.
Anchored by an excellent performance by Eva Huault, Shana is a deeply entertaining Parisian-set tale of Jewish identity and feminine chaos.
Aina Clotet’s woman-in-crisis picture Viva is a thrilling tale of female reclamation — an easy standout from Cannes Critics’ Week.
A romantic trip to the Welsh goes horribly wrong when emails from a deceased ex-boyfriend threaten to derail everything in Worm, Ned Caderni’s assured debut.
In our first edition of Double Take, Redmond and Jared discuss Antoine Fuqua’s misguided and insidious Michael Jackson biopic.
Capturing the Gulf States as they suffer from temperatures rising over 50 degrees, Jacqueline Zünd’s Heat is a bleak and bold artistic vision.
The Roots of Madness is an excellent exploration of American intervention in the Middle East that sadly suffers from a fatal omission.
In We Have to Survive, Tales from Greenland, Australia, North Carolina and Mongolia show how the world is united in one thing: the threat of climate change.
Filmed over the course of ten years, Pieter-Jan De Pue’s documentary Mariinka is one of the best films made about the Russian invasion of Ukraine.