A Polish-heavy second day at Cottbus Film Festival shows off both the accessibility and social relevance of their national cinema.
Cottbus Film Festival Day Two: Polentag

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
A Polish-heavy second day at Cottbus Film Festival shows off both the accessibility and social relevance of their national cinema.
Day one of the Cottbus Film Festival expertly shows the major fault-lines running through the seams of Eastern European society.
Boris Godunov transports us into a different world, even if Russia itself seems impervious to any kind of meaningful change.
Decision to Leave is now out in cinema: should you make a decision to pay, or a decision to stay away? Find out more on our podcast.
The message is obvious. The style is undeniable. Here is why the way Triangle of Sadness is shot is more important than what it’s about.
The Core’s cast of almost entirely B-actors shows the need for star power when saving the world.
All My Friends Hate Me, funded by the BFI, attempts to get into the horrors of social anxiety. We discuss whether or not it actually works.
A new film charting Italian life in the early 20th Century and the most epic widescreen experience possible round out Antalya 2022.
Two excellent queer-minded societal critiques had me wonder: perhaps the A in LGBTQA stands for Antalya.
While the past is seen as immutable and stuck-in-its-ways, the future is a kaleidoscopic, unknowable thing: live from Antalya Film Festival.