Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
The Wry Pleasures of Everything Else Is Noise
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
Nicolás Pereda’s minimalist chamberpiece Everything Else is Noise is at once a slyly pleasurable arthouse experience and a finely-attuned family comedy-drama.
The well-meaning Yugo-Danish drama Home offers a nuanced portrait of migration and integration, but never really takes off dramatically.
A broken fridge-freezer becomes a metaphor for the breakdown of a family — and perhaps society itself — in uneven comedy Complaint No. 713317.
Why Do I See You in Everything? surveys the notion of home amid living in exile, but feels unfocussed while tending towards the tedious.
Bright Future entry White Lies is a remarkable non-fiction debut about the lingering effects of living in a cult upon an ordinary Italian family.
Conrad & Crab – Idiotic Gems by Claude Schmitz is a cosy French mystery movie that scratched an itch I didn’t even know I had. Sequels please!
Despite, or perhaps because of, its cringe characters, Tell Me What You Feel is a heartfelt exploration of whether art and love can really understand trauma.
Sentimental Value star Renate Reinsve returns in a much more forgettable drama: the absolutely dire Gran Canaria set comedy-drama Butterfly.
Barbara Forever is a loving tribute to the life and work of Barbara Hammer that excellently shows how she paved the way for many queer filmmakers to come.
From Tallinn to Austria to London, here are our picks for our favourite film festivals in 2025, celebrating the places that make cinema so special.