From feminine rage to mysterious dancing to intimate animal representation to deconstructing a famous image, DOK Leipzig splits the body apart.
DOK Leipzig Day One: Disembodied Documentaries

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
From feminine rage to mysterious dancing to intimate animal representation to deconstructing a famous image, DOK Leipzig splits the body apart.
Marie-Magdalena Kochová’s debut feature acutely captures the Glass Children phenomenon: being overshadowed by your sibling with more complex needs.
A slyly inventive reflection of owning the most generic name in the United Kingdom, Being John Smith finds a novel way to tackle the big questions.
A quarter-life crisis meets political critique in Valentina and the MUOSters, depicting the life of one woman living under an American radio base.
Flowers of Ukraine is a touching tribute to individual resistance that acts as a metaphor for an entire country under Russian aggression.
An EU-funded cousin of Megalopolis, The Opera! is a baffling and bad film that astounds with its incredibly basic classical music choices.
With unfettered access, The Accidental President paints a deeply human portrait of Belarus’ reluctant opposition leader Sviatlana Tsikhanouskaya.
A fat straight man finds a new lease of life when he sends his self-portrait into a gay magazine in Devin Shears’ touching debut Cherub.
A man’s grief-induced amnesia provides excellent inspiration for a journey through the past in Sara Fgaier’s powerful debut Weightless.
The ten-years-in-the-making Tezeta is a lively and fascinating portrait of Armenia’s contribution to Ethiopian musical history.