Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.
An Eerie Maternal Bond, Under a Volcano’s Shadow
Orizzonti
En el camino Updates the Queer Road Trip Playbook
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Mother Is A Disappointing and Inconsequential Portrait of Mother Teresa
Noomi Rapace is highly forbidding as the Saint of the Peripheries in Mitevska’s Mother Teresa biopic, yet this seven-day narrative ends up disappointing.
Otec Brutally Shows How the Mind Can Rewrite Reality
A father makes a devastating mistake in Tereza Nvotová’s Otec, bleak and hellish depiction of every parent’s worst nightmare.
“There’s all sorts of shit around a movie set. You don’t pay attention to all of it.” — Alex Ross Perry and Robert Greene on Pavements
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
Chasing Pavements
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.
Familiar Touch Depicts Dementia with Disarming Discernment
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.
Venice 2024: Sunny Weather. Gloomy Cinema.
Splendour on the Lido comes into contrast with gloomy visions of the end of the world and downbeat epics across the Venice competition and Orizzonte section.
Familia Provides a Nuanced Portrayal of Cyclical Bonehead Violence
Fascist bonehead study Familia refreshingly avoids clichéd redemption arcs in favour of a more nuanced take on the cyclical nature of toxic masculinity.
The Imhumane Perils of a Quiet Life
The dehumanisation of seeking asylum is piercingly explored in Alexandros Avranas’ horror-but-not-horror Quiet Life. Live from Venice Film Festival!