David Katz

David has pursued film criticism for almost his entire adult life, and ain't tired of it yet.

Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.

From Baby Annette dancing to Modern Love to the climax of By The Stream to Ellen’s introduction in Sterben, we recap the best scenes of the year.

Cloud, the latest from Kiyoshi Kurosawa, shows how fears about the internet have drastically evolved since Pulse (2001). Live from Venice.