Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
Köln 75. Iconic Chaos.

Exploring the Outer Edge of Film
Jared loves movies and lives with Kiki in Berlin.
Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
The natural ebbs and flows of a friendship floating apart are captured in deeply realistic realistic fashion in Sophie Somerville’s delightful debut.
The travails of being deaf in a hearing world are viscerally explored in Eva Libertad’s powerful new work — live from Panorama!
Night Stage by Marcio Reolon, Filipe Matzembacher is a fun De Palma homage from Brazil that reinvents the queer erotic thriller.
Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
The burdens of working as a full-time caregiver are depicted in microscopic detail in Frelle Perersen’s assured Home Sweet Home.
Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
Some Nights I Feel Like Walking doesn’t buy into the glittery tropes of recent queer cinema — instead diving into the harsh realities of gay life.
With a documentary-like aesthetic and profound use of the mundane, Heather Young’s sophomore film There, There reasserts her singular voice.
The Party’s Over casts prejudice as farce in this sharply-written tale of a wealthy Spanish lady reacting to a Senegalese immigrant in her midst. From TIFF.