Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Cesaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.
The Ballad of Suzanne Cesaire Rejects Conventionality in Favour of Archival Speculation
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Exploring the Outer Edge of Film
Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Cesaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.
Brazilian documentarian Julia De Simone’s first fiction feature imbues the past with the urgency of the present, breaking free of historical restraints.