Barbara Forever is a loving tribute to the life and work of Barbara Hammer that excellently shows how she paved the way for many queer filmmakers to come.
Lesbians Forever!
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
Barbara Forever is a loving tribute to the life and work of Barbara Hammer that excellently shows how she paved the way for many queer filmmakers to come.
From Tallinn to Austria to London, here are our picks for our favourite film festivals in 2025, celebrating the places that make cinema so special.
From One Battle After Another to Den of Thieves 2: Pantera, Sirāt to Pillion, here’s Redmond Bacon and Jared Abbott’s picks for the best films of the year.
Craig Brewer’s Song Song Blue is a surprisingly powerful musical biopic that rests upon the remarkable easygoing charm of Kate Hudson.
Osgood Perkins’ lazy “cabin in the woods” horror Keeper is a tale about almost nothing at all, with almost nothing to enjoy.
Joan Chen’s May-December romance Autumn in New York may look pretty, but make no mistake: this movie is godawful.
Scott Derrickson’s marginally better sequel Black Phone 2, the spirit of Dante’s Inferno is chanelled to frosty — in both senses of the word — results.
Ben Rivers’ latest feature is a long and meandering slog through the apocalypse that might work in a museum, but is deadening on the big screen.
Films by Gena Rowlands and John Garfield at Karlovy Vary International Film Festival show us the deep emotional power of the method acting approach.
Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.