An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.
goEast Film Festival Day One: The Rise of the Hybrids
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Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.
When history ends it’s tempting to sleep through all the chaos. But as The Asthenic Syndrome points out, neither sleep — or art — can change a single thing.
While the 2D observational moments of Suzume are keenly felt, the overall message is lost in a morass of muddled storytelling and messy CGI.
The magic of Kira Muratova’s debut film is finding epic possibilities embedded within the everyday. We look at Brief Encounters, and it’s place in Ukrainian film history.
This Australian desert noir is more interesting than its title, but would’ve worked a whole lot better as a TV series.
Haughty mothers haunt a draughty hotel in João Canijo’s Bad Living and Living Bad, playing in both Competition and Encounters at the Berlinale 2023.
The explicitly German section of the Berlinale, Perspektive Deutsches Kino is a fascinating example of film festival soft power diplomacy.
Hong Sangsoo innovates with new techniques to create his best film since On The Beach at Night Alone with In Water — a tremendous ode to the magic of art.
The patriarchy pushed them to the edge. These three films from the Berlinale Panorama section show how women can fight back.
A story about the allure and freedom of war and an amusing memoir about growing up in a psychiatric facility play in the Berlinale Generation section.