Lois Patiño’s Samsara is a truly unique cinematic experience, asking if you can watch a movie without having to actually open your eyes.
Samsara, Seeing Without Seeing
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
Lois Patiño’s Samsara is a truly unique cinematic experience, asking if you can watch a movie without having to actually open your eyes.
Avoiding consensus for our top 2023 picks, Journey Into Cinema focuses on both the best festival films and the finest hidden gems.
With About Dry Grasses, his latest three-hour-plus study of a superfluous man, Nuri Bilge Ceylan keeps the spirit of classic Russian literature alive.
Life, Assembled takes you deep into the architectural process, wondering if the progressive Belgian ideals of the 70s are still worth pursuing today.
Going To Mars: The NIkki Giovanni Project is a fascinating documentary, but hides a more fascinating character study behind hagiography.
The revolutionary art of the “Godfather of video art” is given a dutiful biopic treatment in Name June Paik: Moon Is the Oldest TV.
Cristi Puiu’s MMXX revisits the year he whipped up a bunch of coronavirus controversy with a typically austere anthology that lacks the smarts of his best work.
Days of Happiness may offer the antidote to Tár’s toxicity, but it lacks the passion needed to make for a masterful conductor character study.
Vermin is one of the downright nastiest yet compelling creature-features made in recent years, a true standout of the Venice Film Festival.
The American West seems as expansive and inclusive as ever in Luke Gilford’s queer Western romance National Anthem — live from TIFF.