The Cannes ACID section focusses on normal lives in independent films, celebrating perspectives often overlooked in bigger programmes.
ACID Cannes 2023 — Searching For Happiness
Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
The Cannes ACID section focusses on normal lives in independent films, celebrating perspectives often overlooked in bigger programmes.
The coming-of-age genre, told over a scorching summer, is imbued with cinematic flair in Paloma Sermon-Daï’s fiction debut.
A social drama with smart dramaturgy and effective mise-en-scène, Inshallah A Boy piercingly critiques Jordan’s male-first inheritance culture.
Paul Schrader finds a more tender angle on his tried-and-tested formula in the touching Master Gardener, completing his most recent trilogy.
Found-footage documentary Manifesto is both a startling, necessary film but also a disturbing one, calling into question filmmaking ethics in a fascist state.
A Kazakh Western, a Serbian mining town and a Russian village on the edge of war teach us about the importance of resilience on day three of goEast.
A quick jaunt to Mainz starts a day filled with characters crossing borders, looking for common threads that unite humanity.
An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.
When history ends it’s tempting to sleep through all the chaos. But as The Asthenic Syndrome points out, neither sleep — or art — can change a single thing.
While the 2D observational moments of Suzume are keenly felt, the overall message is lost in a morass of muddled storytelling and messy CGI.