All My Friends Hate Me, funded by the BFI, attempts to get into the horrors of social anxiety. We discuss whether or not it actually works.
Descent Into Cinema Podcast: All My Friends Hate Me

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
All My Friends Hate Me, funded by the BFI, attempts to get into the horrors of social anxiety. We discuss whether or not it actually works.
A new film charting Italian life in the early 20th Century and the most epic widescreen experience possible round out Antalya 2022.
Two excellent queer-minded societal critiques had me wonder: perhaps the A in LGBTQA stands for Antalya.
While the past is seen as immutable and stuck-in-its-ways, the future is a kaleidoscopic, unknowable thing: live from Antalya Film Festival.
A day filled with Turks and turkeys, day three of the Antalya Film Festival showed three different men navigating strange lands.
Two stories of trapped women are told in completely different ways in a strong second day of the Antalya Film Festival.
The Turkish National short programme was the perfect sample menu to kick off the Antalya Film Festival.
Classical camerawork subtly tells us who’s really in charge in Rod Lurie’s compelling yet underfortified military-prison drama.
While most recent horrors rely too heavy on metaphor, Speak No Evil reminds us that the real terror lies just within us.
A cross-jurisdiction thriller featuring murder, sex, intrigue, and Wesley Snipes seemingly unbothered by anything at all.