The very definition of a hangout movie, ACID opener L’Aventura explores the quotidian moments that most contemporary cinema often breezes by.
L’Aventura Travels Free from the Anxiety of Influence

Exploring the Outer Edge of Film
Redmond is the editor-in-chief of Journey Into Cinema.
The very definition of a hangout movie, ACID opener L’Aventura explores the quotidian moments that most contemporary cinema often breezes by.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
The final day at Crossing Europe was a story of deep contrasts, including a surprising, yet rather enjoyable epilogue.
Coming-of-age stories set in Cork, Berlin and Tenerife characterise a lively and varied third day at the Crossing Europe Film Festival.
My Boyfriend the Fascist is a fascinating and tender look at how holding honourable beliefs can often lead to manipulation by more nefarious forces.
The 1st May brings a fascinating reflection on the oppression of workers, a student film, and a variety of works from local artists.
A struggling mother and an absent father make for diametrically opposed cinematic visions in a solid first day at Crossing Europe.
The highs and lows of die-hard football fan culture is lovingly surveyed in Ragnhild Ekner’s excellent documentary Ultras.
A witty, low-key riff on the intersection between love and espionage, Black Bag is one of the best spy films to come out in recent years.
A24’s broadest comedy yet, Death of a Unicorn feels woefully miscast, providing another eat-the-rich satire that has nothing interesting to say.