A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
Polyphonic Russian Voices, Deftly Intercepted

Exploring the Outer Edge of Film
The mostest film festival in the world. An unconquerable mountain of movies, every February.
A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
Piero Messina’s science-fiction Another End fails to inspire interesting questions or interest the viewer visually. It’s a bust, live from Berlin Film Festival.
Coming-out stories in Generation are a dime-a-dozen. Thankfully Anthony Schattman’s Young Hearts rises above the crop thanks to its authentic performances.
Sleep With Your Eyes Open uses an elastic narrative form to paint an ironic portrait of Chinese migrant life in Brazil, to both its benefit and detriment.
The problems with China’s one-child policy are laid bare in Jianjie Lin’s effective and creepy debut Brief History of a Family, live from Berlinale Panorama.
Roman Bondarchuk takes us to a pre-invasion Southern Ukraine in his Forum satire The Editorial Office, filled with weighty topics while lacking cinematic bite.
La Cocina uses its kitchen-setting as a springboard for a grand Statement on America. But it ruins the main dish by adding too many flavours.
A Different Man has all the snarky hallmarks of another A24 provocation, but it’s saved by a screenplay that somehow evokes the best of Woody Allen.
The Panorama section of the Berlinale probes the limits of human sexuality, violence and capacity for connection. Here’s our master list of Panorama reviews.
Small Things Like These may highlight a vital decades-long human rights abuse but is sadly let down by its derivative imitation of Terence Davies’ best work.