Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.
Don’t Call Me Mama’s Scandalous Scandinavians

Exploring the Outer Edge of Film
Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.
Despite its preponderance of gorgeous images, The Visitor provides an emotionally-detached experience that can’t match the magic of its visuals.
Ondřej Provazník’s sophomore film is a slow-burn look at abuse featuring a brilliant performance from Juraj Loj as a manipulative choirmaster.
With careful drone footage and plenty of nature shots, Dmytro Hreshko creates a powerful portrait of how Russia has commited ecocide in Ukraine.
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
The spirit of Éric Rohmer lives on in João Rosas excellent Crystal Globe entry The Luminuous Life, capturing the perils of love under capitalism.