While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
Out Of Love. Elevated Social Realism.

Exploring the Outer Edge of Film
Lying in a historic Spa town, Karlovy Vary Film Festival is one of the most relaxing places in the world to enjoy cinema.
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
The spirit of Éric Rohmer lives on in João Rosas excellent Crystal Globe entry The Luminuous Life, capturing the perils of love under capitalism.
With no voiceover used, Maciej J. Drygas relies entirely on montage, music and sound design to use trains to tell the story of the twentieth century.
With a tight 1:1 ratio and an eye for arresting visuals, Windless sure looks great, but its grief-laden tale fails to hit with the viewer emotionally.
A study of a young confused man that examines the changing mores of Georgian society, Panopticon fails to stimulate the brain or the heart.
A film goes into pre-production in Beirut the day after the infamous 2020 port explosion in Cyril Aris’ gripping doc Dancing on the Edge of a Volcano.
Keeping Mum investigates the difficulties of breaking generational trauma with open-heartedness and a willingness to embrace the cringe.
Love fights the forces of economics and corruption in the underwhelming Iranian drama Empty Nets — live from Karlovy Vary Film Festival.
The paradoxes at the heart of the Romanian Orthodox Church are teasingly explored in Alexandru Solomon’s latest hybrid documentary — live from KVIFF.