Florian Pochlatko’s How to Be Normal and the Oddness of the Other World is a long and ungainly look at mental illness that never finds a way to work.
Avoid How to Be Normal and the Oddness of the Other World
Exploring the Outer Edge of Film
Reviews and dispatches exploring the best new cinema premiering around the world.
Florian Pochlatko’s How to Be Normal and the Oddness of the Other World is a long and ungainly look at mental illness that never finds a way to work.
Tricia Tuttle’s Perspectives is a shiny new programme dedicated entirely to first feature films. We have the lowdown on whether they’re any good.
Lucile Hadžihalilović’s The Ice Tower is a forbidding and slow riff on Hans Christian Andersen with a movie star performance from Marion Cotillard.
Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
The natural ebbs and flows of a friendship floating apart are captured in deeply realistic realistic fashion in Sophie Somerville’s delightful debut.
By letting trans women speak for themselves, the 1983 classic Dressed In Blue is an essential queer text, playing now in Berlinale Classics.
Before You Fade Away Into Nothing is a truly rare thing: an all-American slow cinema film, tackling grief in a unique and fascinating way.
Bong Joon-Ho’s Mickey 17 is a loud and brash cartoonish science-fiction that has very little to say underneath its deafening bluster.
A 30-year-old woman’s jaunt to Paris yields all sorts of beautiful insights on the nuances of life in Valentine Cadic’s That Summer in Paris.
The travails of being deaf in a hearing world are viscerally explored in Eva Libertad’s powerful new work — live from Panorama!