Roman Bondarchuk takes us to a pre-invasion Southern Ukraine in his Forum satire The Editorial Office, filled with weighty topics while lacking cinematic bite.
There’s Plenty of Fake News at The Editorial Office
Festivals
Reviews and dispatches exploring the best new cinema premiering around the world.
Too Many Cooks Spoil La Cocina
La Cocina uses its kitchen-setting as a springboard for a grand Statement on America. But it ruins the main dish by adding too many flavours.
A Different Man, Sort Of
A Different Man has all the snarky hallmarks of another A24 provocation, but it’s saved by a screenplay that somehow evokes the best of Woody Allen.
Into the Panorama-Verse
The Panorama section of the Berlinale probes the limits of human sexuality, violence and capacity for connection. Here’s our master list of Panorama reviews.
Small Things Like These. Faux Terence Davies
Small Things Like These may highlight a vital decades-long human rights abuse but is sadly let down by its derivative imitation of Terence Davies’ best work.
Love to Love Me Baby
Sam & Andy Zuchero’s unconventional love story, Love Me, is buoyed by two excellent performances from Kristen Stewart and Steven Yeun.
The Frantic Love Lies Bleeding Puts the Vibes First
Rose Glass’ sophomore effort, Love Lies Bleeding, is unconcerned with likeability. Here’s why that’s a good thing, live from Sundance.
Enter the Realm of Satan, Slow Cinema Style
Editor-turned-director Scott Cummings eschews conventional cutting in his slow, unjudgemental look at the Satanic church in Realm of Satan.
Sisterhood Prevails Amongst 78 Days of NATO Bombs
78 Days by Emilija Gašić uses a documentary, found-footage approach to depict the trials of girlhood growing pains in the midst of NATO bombings.
The Ballad of Suzanne Césaire Rejects Conventionality in Favour of Archival Speculation
Madelaine Hunt-Ehrlich’s The Ballad of Suzanne Césaire mounts a corrective to the surrealist’s occluded legacy through a personal essayistic structure.