At a time when “groomer” is used as a political smear, The Pupil shows us the truly sickening impact the reality can have on young boys and girls.
The Pupil Hauntingly Depicts Grooming Hidden in Plain Sight
Festivals
Reviews and dispatches exploring the best new cinema premiering around the world.
Peeping Trojans, Slivering Sofas
A sleek German answer to Philip Noyce’s Sliver, Interior uses a sexual taboo to interrogate a world where all we do is watch — and rarely intervene.
Current Responses to a Degrading Status Quo
From Radu Jude’s take on AI slop to Benning’s pointedly political piece, Currents at NYFF has its experimental finger on today’s disintegrating world.
Forastera. Teenage Grief Under the Mallorcan Sun.
Lucía Aleñar Iglesias’ promising debut finds a unique angle on coming-of-age and haunted house tropes — marking her as a director to watch.
An Eerie Maternal Bond, Under a Volcano’s Shadow
Borrowing Reygadas’ DOP, Ana Cristina Barragán’s taboo-breaking film The Ivy doesn’t satisfy, even if it keeps us curious.
Between Dreams and Hope. Between Risk and Compromise.
Farnoosh Samadi’s blistering thriller Between Dreams and Hope captures the compromises of a young trans man navigating the difficulties of modern-day Iran.
En el camino Updates the Queer Road Trip Playbook
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Made in EU. Exploitation in the Peripheries.
Stephan Komanderev uses the coronavirus pandemic to explore the horrors of labour exploitation in one of Europe’s poorest regions.
Empty Incel Nonsense
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Mother Is A Disappointing and Inconsequential Portrait of Mother Teresa
Noomi Rapace is highly forbidding as the Saint of the Peripheries in Mitevska’s Mother Teresa biopic, yet this seven-day narrative ends up disappointing.