A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
My First Film Testifies to the Collective Energy Necessary for All Creation
Category: Festivals
Reviews and dispatches exploring the best new cinema premiering around the world.
“This is a story of becoming” – Philipp Fussenegger, Judy Landkammer and Susanne Heuer on The Teaches of Peaches
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
Berlinale 2024: After Hours
From retrospective to classics to special, here are mini-reviews of everything else Journey into Cinema saw at Berlinale 2024.
Subject: Filmmaking Shows Why Everyone Needs to Study Cinema
55 years in the making, Edgar Reitz’ wonderful Subject: Filmmaking is a charming case for obligatory film classes in schools everywhere.
Berlinale Shorts 2024: The Detritus of Modernity
This year’s Berlinale Shorts reveals an obsession with the ongoing crises of modernity, while revealing biases about the types of stories allowed to be told.
Pepe is Dead. Long Live Pepe.
Hippos become a metaphor for Colombia, the state of humanity and the world’s capacity for cruelty in Nelson Carlo De Los Santos Arias’s unclassifiable Pepe.
Matt and Mara, Between Poetry and Prose
Finding that magical, liminal space between poetry and prose, Kazik Radwanski’s Matt and Mara cleverly captures the contradictions of the human imagination.
Through Rocks and Clouds. Natural Beauty and Tranquil Existence
Set in the gorgeous Peruvian Andes, the charming alpaca-based tale Through Rocks and Clouds exudes a quiet and stirring power. From Berlinale Generation.
Foreign Language: Sex, Lies and Chocolate Mushrooms
As messy as its synopsis is understated, Claire Burger’s Foreign Language is a heady mix of teenage sexuality and muddled political engagement.
Isabelle Huppert is an Agent of Chaos in A Traveler’s Needs
Isabelle Huppert is the worst French teacher of all time in Hong Sangsoo’s sly and very funny comment on Korean national anxieties.