Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
The Boy with Pink Pants. Pain Without the Exploitation.

Exploring the Outer Edge of Film
A world-leading first feature competition and an array of excellent sidebars, from the wonderful, oftentimes freezing nation of Estonia.
Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
Some Nights I Feel Like Walking doesn’t buy into the glittery tropes of recent queer cinema — instead diving into the harsh realities of gay life.
Despite its technical accomplishments, Steve Bache’s No Dogs Allowed unfortunately replicates many of the same things it seeks to criticise.
France to the west, Russia to the east; Lithuania trying to do its thing in the middle. A survey of two Baltic premieres at the Tallinn Film Festival.
A couple of excellent first features from the Tallinn Film Festival show both physical and mental pain, and the different ways to reconcile the two.