David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
En el camino Updates the Queer Road Trip Playbook

Exploring the Outer Edge of Film
The last of the “big three” European film festivals of the year, Venice marks the gliterring kickstart of the Oscar season.
David Pablos’ riveting Mexican film En El Camino, winner of the Queer Lion, presents a fresh take on the queer road trip movie.
Stephan Komanderev uses the coronavirus pandemic to explore the horrors of labour exploitation in one of Europe’s poorest regions.
Evi Kalogiropoulou’s deeply disappointing Gorgonà leans so heavily into fascist aesthetics it starts to resemble the very thing it criticises.
Noomi Rapace is highly forbidding as the Saint of the Peripheries in Mitevska’s Mother Teresa biopic, yet this seven-day narrative ends up disappointing.
A father makes a devastating mistake in Tereza Nvotová’s Otec, bleak and hellish depiction of every parent’s worst nightmare.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.
Sarah Friedland’s potent debut takes time and care to depict the ins and outs of living with dementia, to powerful results. Live from Venice Film Festival.
Cloud, the latest from Kiyoshi Kurosawa, shows how fears about the internet have drastically evolved since Pulse (2001). Live from Venice.
Splendour on the Lido comes into contrast with gloomy visions of the end of the world and downbeat epics across the Venice competition and Orizzonte section.