A free-wheeling, three-part riot of formal invention, Víctor Iriarte’s excellent debut is at once aesthetically rigorous and politically pointed.
The Freewheeling Spirit of Bolaño Is Excellently Channelled in Foremost By Night
Venice
The last of the “big three” European film festivals of the year, Venice marks the gliterring kickstart of the Oscar season.
Sidonie In Japan. Translation, Adrift
Sidonie In Japan is a classic example of a fine actress phoning it in, wasting Huppert’s talents in a generic, unconvincing cross-cultural examination of grief.
Life Is Not a Competition, But I’m Winning. Mostly Winning.
Life Is Not a Competition, But I’m Winning imagines the future of queer and intersex people in sport in a variety of spirited and thoughtful means.
Stolen Just Keeps Getting Better
Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.