The practicalities and pitfalls of vampire life are warmly investigated in the mostly enjoyable Humanist Vampire Seeking Consenting Suicidal Person.
Humanist Vampire Seeking Consenting Suicidal Person Lives Up To Its Goofy Title
Exploring the Outer Edge of Film
The last of the “big three” European film festivals of the year, Venice marks the gliterring kickstart of the Oscar season.
The practicalities and pitfalls of vampire life are warmly investigated in the mostly enjoyable Humanist Vampire Seeking Consenting Suicidal Person.
A free-wheeling, three-part riot of formal invention, Víctor Iriarte’s excellent debut is at once aesthetically rigorous and politically pointed.
Sidonie In Japan is a classic example of a fine actress phoning it in, wasting Huppert’s talents in a generic, unconvincing cross-cultural examination of grief.
Life Is Not a Competition, But I’m Winning imagines the future of queer and intersex people in sport in a variety of spirited and thoughtful means.
Indian movie Stolen levels up scene after scene, moving from a tense, whodunnit to a full-blown, white-knuckle thriller — live from Venice Film Festival.