With 1983’s Breathless, we see the key bridge between Godard’s playfulness and Taratino’s particularly American postmodernism. Available on Tubi!
Breathless (1983) — Don’t Respect the Original!

Exploring the Outer Edge of Film
Sweet and earnest dives into the bowels of cinema.
With 1983’s Breathless, we see the key bridge between Godard’s playfulness and Taratino’s particularly American postmodernism. Available on Tubi!
A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
A witty, low-key riff on the intersection between love and espionage, Black Bag is one of the best spy films to come out in recent years.
A24’s broadest comedy yet, Death of a Unicorn feels woefully miscast, providing another eat-the-rich satire that has nothing interesting to say.
Cannes is supposed to be a festival that supports auteur cinema. So why does the festival often give its most long-standing guests the cold shoulder?
Try as it may, Drop is hampered by its central conceit, with its surprise smartphone messages more of a pain than a genuine source of tension.
Sean Baker’s career from hardscrabble indie director to Oscar winner has been anything but easy: we have the deep dive on Anora’s unlikely success.
Oscar-nominated short I’m Not a Robot examines the line between humanity and identity, exploring the illusion of control with humour and precision.
The Emilia Pérez controversy is the latest example of how fan armies drive the discourse during awards season, reshaping the film world in the process.