A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
It’s a Wonderful Dog!

Exploring the Outer Edge of Film
Sometimes we just review new and upcoming releases.
A great canine acting talent is wasted in The Friend, a tale of Naomi Watts adopting a Great Dane that is heavy on the schmaltz, but lacking in punch.
The Wedding Banquet is a broad remake of Ang Lee’s 1993 work that drains the rich cultural specificity of the subject matter into boring slop.
A witty, low-key riff on the intersection between love and espionage, Black Bag is one of the best spy films to come out in recent years.
A24’s broadest comedy yet, Death of a Unicorn feels woefully miscast, providing another eat-the-rich satire that has nothing interesting to say.
Try as it may, Drop is hampered by its central conceit, with its surprise smartphone messages more of a pain than a genuine source of tension.
Universal Remake their classic horror movie The Wolf Man to diminishing returns in Leigh Whannell’s weak follow-up to The Invisible Man.
With unfettered access, The Accidental President paints a deeply human portrait of Belarus’ reluctant opposition leader Sviatlana Tsikhanouskaya.
Paul Schrader finds a more tender angle on his tried-and-tested formula in the touching Master Gardener, completing his most recent trilogy.
While the 2D observational moments of Suzume are keenly felt, the overall message is lost in a morass of muddled storytelling and messy CGI.