Splendour on the Lido comes into contrast with gloomy visions of the end of the world and downbeat epics across the Venice competition and Orizzonte section.
Venice 2024: Sunny Weather. Gloomy Cinema.

Exploring the Outer Edge of Film
Splendour on the Lido comes into contrast with gloomy visions of the end of the world and downbeat epics across the Venice competition and Orizzonte section.
Move over Joker? There’s a new angry white man in town, courtesy of Jesse Eisenberg in the blistering, problematic, increasingly enjoyable Manodrome.