Set entirely on the opening night of Oklahoma!, Richard Linklater’s talky film Blue Moon reunites him with Before trilogy star Ethan Hawke.
Blue Moon. Drunk With Beauty.
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Exploring the Outer Edge of Film
Set entirely on the opening night of Oklahoma!, Richard Linklater’s talky film Blue Moon reunites him with Before trilogy star Ethan Hawke.
Lesbian desire and mother-daughter issues intermix on the beach in Rebecca Lenkiewicz’s debut feature Hot Milk. Playing in Competition.
Isabelle Huppert is the worst French teacher of all time in Hong Sangsoo’s sly and very funny comment on Korean national anxieties.
Funnier than most out-and-out comedies, Sterben captures the messy absurdity of life in all its glory, despite, or perhaps, because of, the sad subject matter.
Berlinale Generation explores the world from a childlike or teenage perspective. We discovered the stories worth highlighting from this year’s Berlinale.
Suspended Time (Olivier Assayas, 2024) is the lockdown comedy that finds little dramatic potential in its set-up, feeling like a 100-minute episode of a sitcom.
Piero Messina’s science-fiction Another End fails to inspire interesting questions or interest the viewer visually. It’s a bust, live from Berlin Film Festival.
Coming-out stories in Generation are a dime-a-dozen. Thankfully Anthony Schattman’s Young Hearts rises above the crop thanks to its authentic performances.
Transcendent reincarnation, familial reverberations and Hong’s most delicate film in years characterise an Encounters section echoing through space and time.
Despite a fine flair for creating aesthetically pleasing images, Music is a thoroughly singular filmmaking experience hard to genuinely love.