A perfect cast and a breezy tone, intermingling with moments of horror and danger, characterise Afire, a more low-key effort from Christian Petzold.
Christian Petzold Changes Pace with the Breezy Relationship Drama Afire

Exploring the Outer Edges of Film
A perfect cast and a breezy tone, intermingling with moments of horror and danger, characterise Afire, a more low-key effort from Christian Petzold.
The explicitly German section of the Berlinale, Perspektive Deutsches Kino is a fascinating example of film festival soft power diplomacy.
With Infinity Pool Brandon Cronenberg succeeds in turning lust and indulgence into a car crash of increasingly unnatural scenes we cannot look away from.
Hong Sangsoo innovates with new techniques to create his best film since On The Beach at Night Alone with In Water — a tremendous ode to the magic of art.
Despite a fine flair for creating aesthetically pleasing images, Music is a thoroughly singular filmmaking experience hard to genuinely love.
The patriarchy pushed them to the edge. These three films from the Berlinale Panorama section show how women can fight back.
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
A handful of forum films, including new works by James Benning and Claire Simon, probe the ways history, ever contested, is inscribed onto the future.
Live from the Playce at the Berlinale, we discuss Drifter, Femme, Silver Haze and other fine panorama films to put on your radar.
Move over Joker? There’s a new angry white man in town, courtesy of Jesse Eisenberg in the blistering, problematic, increasingly enjoyable Manodrome.