Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
Köln 75. Iconic Chaos.
Exploring the Outer Edge of Film
Mala Emde shines as a chaotic music promoter who puts on Keith Jarrett’s iconic concert at the Cologne Philarmonic in Ido Fluk’s Köln 75.
A 30-year-old woman’s jaunt to Paris yields all sorts of beautiful insights on the nuances of life in Valentine Cadic’s That Summer in Paris.
The second half of the Berlinale Shorts goes deep on the emotions, with stunning love story Close to September easily the standout movie.
in retrospect explores the double-standards of Germany’s immigration policies: inviting people to come then demonising them for coming.
Lesbian desire and mother-daughter issues intermix on the beach in Rebecca Lenkiewicz’s debut feature Hot Milk. Playing in Competition.
Han Ye-ri provides an astonishing portrait of alcoholism in Kang Mi-ja’s deeply affecting Spring Night, playing in Forum.
Listening to Peter Hujar’s Day by Ira Sachs makes you wish you’d trade places with Ivan Denisovich. Live from the Panorama at Berlinale.
The moral difficulty of realising your loved one might be a monster is explored in great detail in Sara Miro Fischer’s The Good Sister.re
The rhythms of village life are perceptively captured in Huo Meng’s intimate epic Living the Land, which is handsomely made but holds the audience at a remove.
Hitherto undiscovered depths of cringe are plumped in Tom Tykwer’s misguided and offensive familial drama Das Licht (The Light), opening Berlinale 2025.