Hitherto undiscovered depths of cringe are plumped in Tom Tykwer’s misguided and offensive familial drama Das Licht (The Light), opening Berlinale 2025.
Das Licht. Bitte Nicht.
Exploring the Outer Edge of Film
Hitherto undiscovered depths of cringe are plumped in Tom Tykwer’s misguided and offensive familial drama Das Licht (The Light), opening Berlinale 2025.
The Berlinale is in a vibe crisis. Here’s how moving the festival to Charlottenburg would make it fun again.
Puncturing through the noise of endless movies playing throughout the world with our selection of underseen 2024 festival favourites worth checking out.
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
Hippos become a metaphor for Colombia, the state of humanity and the world’s capacity for cruelty in Nelson Carlo De Los Santos Arias’s unclassifiable Pepe.
Finding that magical, liminal space between poetry and prose, Kazik Radwanski’s Matt and Mara cleverly captures the contradictions of the human imagination.
Set in the gorgeous Peruvian Andes, the charming alpaca-based tale Through Rocks and Clouds exudes a quiet and stirring power. From Berlinale Generation.
As messy as its synopsis is understated, Claire Burger’s Foreign Language is a heady mix of teenage sexuality and muddled political engagement.
Isabelle Huppert is the worst French teacher of all time in Hong Sangsoo’s sly and very funny comment on Korean national anxieties.
Funnier than most out-and-out comedies, Sterben captures the messy absurdity of life in all its glory, despite, or perhaps, because of, the sad subject matter.