A fine animation style is wasted by a deadeningly boring script in Félix Dufour-Laperrière’s surrealist eco-thriller Death Does Not Exist.
Death Does Not Exist Traipses Aimlessly Through the Forest

Exploring the Outer Edge of Film
A fine animation style is wasted by a deadeningly boring script in Félix Dufour-Laperrière’s surrealist eco-thriller Death Does Not Exist.
The highs and lows of die-hard football fan culture is lovingly surveyed in Ragnhild Ekner’s excellent documentary Ultras.
The Generation section of Berlinale is one of the less interesting programmes at the esteemed film festival. Still, we look at its offerings anyway.
With a documentary-like aesthetic and profound use of the mundane, Heather Young’s sophomore film There, There reasserts her singular voice.
A fat straight man finds a new lease of life when he sends his self-portrait into a gay magazine in Devin Shears’ touching debut Cherub.
Matthew Rankin’s culture-bending comedy fable throws up all kinds of intellectual questions, but rarely engages on a deeper, emotional level.
A personal tale of atomic devastation set in the stunning town of Nagasaki, Laurence Lévesque’s Okurimono is a slow-burn inquiry into the ever-present past.
Days of Happiness may offer the antidote to Tár’s toxicity, but it lacks the passion needed to make for a masterful conductor character study.
BlackBerry takes you back to the halcyon days before the iPhone became the ubiqutious smartphone in this entertaining rise-and-fall tech sotry.