Vivian Qu’s gritty crime story Girls on Wire is a grim tale about the inevitability of fate that is weighed down by clichéd and stilted storytelling.
Flying on A Wire is Not Real Flying
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Exploring the Outer Edge of Film
Vivian Qu’s gritty crime story Girls on Wire is a grim tale about the inevitability of fate that is weighed down by clichéd and stilted storytelling.
The rhythms of village life are perceptively captured in Huo Meng’s intimate epic Living the Land, which is handsomely made but holds the audience at a remove.
In All, Or Nothing At All, presented in two unique, each-way versions, Jiajun Zhang captures the modern malaise of contemporary Chinese capitalism.
Sleep With Your Eyes Open uses an elastic narrative form to paint an ironic portrait of Chinese migrant life in Brazil, to both its benefit and detriment.
The problems with China’s one-child policy are laid bare in Jianjie Lin’s effective and creepy debut Brief History of a Family, live from Berlinale Panorama.
A Song Sung Blue has every shade of blue you can hope for. But perhaps gorgeous aesthetics can only get you so far. Playing at Directors’ Fortnight.
Decision to Leave is now out in cinema: should you make a decision to pay, or a decision to stay away? Find out more on our podcast.