Jean-Christophe Meurisse’s Plastic Guns doubles down on the provocations of Bloody Oranges in an off-kilter, hilarious and deeply nasty farce.
Plastic Guns. A Perfect Shitpost.
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Exploring the Outer Edge of Film
Jean-Christophe Meurisse’s Plastic Guns doubles down on the provocations of Bloody Oranges in an off-kilter, hilarious and deeply nasty farce.
With shades of Cassavetes, Pedro Freire’s Brazilian debut Malu is a spirited and claustrophobic homage to the influence of his chaotic mother.
The Vanishing Soldier uses its picarasque, free-wheeling form to investigate the complexities and paradoxes of modern Isreal — to mixed results.
When history ends it’s tempting to sleep through all the chaos. But as The Asthenic Syndrome points out, neither sleep — or art — can change a single thing.
Boris Godunov transports us into a different world, even if Russia itself seems impervious to any kind of meaningful change.
While the past is seen as immutable and stuck-in-its-ways, the future is a kaleidoscopic, unknowable thing: live from Antalya Film Festival.