Small Things Like These may highlight a vital decades-long human rights abuse but is sadly let down by its derivative imitation of Terence Davies’ best work.
Small Things Like These. Faux Terence Davies
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Exploring the Outer Edge of Film
Small Things Like These may highlight a vital decades-long human rights abuse but is sadly let down by its derivative imitation of Terence Davies’ best work.
Love fights the forces of economics and corruption in the underwhelming Iranian drama Empty Nets — live from Karlovy Vary Film Festival.
Turkish auteur Nilge Bilge Ceylan returns with another long study of a toxic intellectual with the brilliant, Anatolian-set, About Dry Grasses.
Found-footage documentary Manifesto is both a startling, necessary film but also a disturbing one, calling into question filmmaking ethics in a fascist state.
A Kazakh Western, a Serbian mining town and a Russian village on the edge of war teach us about the importance of resilience on day three of goEast.
A perfect cast and a breezy tone, intermingling with moments of horror and danger, characterise Afire, a more low-key effort from Christian Petzold.
Haughty mothers haunt a draughty hotel in João Canijo’s Bad Living and Living Bad, playing in both Competition and Encounters at the Berlinale 2023.
Despite a fine flair for creating aesthetically pleasing images, Music is a thoroughly singular filmmaking experience hard to genuinely love.
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
A family celebration provides the setting for a haunting coming-of-age tale, courtesy of auteur to watch, Lila Avilés. Golden Bear winner?