Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.
Don’t Call Me Mama’s Scandalous Scandinavians

Exploring the Outer Edge of Film
Don’t Call Me Mama is Scandinavia’s answer to Babygirl that unfortunately gives off a truly icky Blame It On Rio vibe.
Ondřej Provazník’s sophomore film is a slow-burn look at abuse featuring a brilliant performance from Juraj Loj as a manipulative choirmaster.
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
The spirit of Éric Rohmer lives on in João Rosas excellent Crystal Globe entry The Luminuous Life, capturing the perils of love under capitalism.
A study of a young confused man that examines the changing mores of Georgian society, Panopticon fails to stimulate the brain or the heart.
A film goes into pre-production in Beirut the day after the infamous 2020 port explosion in Cyril Aris’ gripping doc Dancing on the Edge of a Volcano.