By letting trans women speak for themselves, the 1983 classic Dressed In Blue is an essential queer text, playing now in Berlinale Classics.
Dressed in Blue. Trans Lives in Full View.
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Exploring the Outer Edge of Film
By letting trans women speak for themselves, the 1983 classic Dressed In Blue is an essential queer text, playing now in Berlinale Classics.
Sirens Call, Miri Ian Gossing and Lina Sieckmann’s impassioned look at modern-day merfolk, reinvents ancient myths for an increasinly fascist age.
The woods straddling Bulgaria and Turkey are imbued with multivalent meanings in Pepe Hristova’s Strandzha, playing in Harbour at IFFR.
Marie-Magdalena Kochová’s debut feature acutely captures the Glass Children phenomenon: being overshadowed by your sibling with more complex needs.
A quarter-life crisis meets political critique in Valentina and the MUOSters, depicting the life of one woman living under an American radio base.
Flowers of Ukraine is a touching tribute to individual resistance that acts as a metaphor for an entire country under Russian aggression.
Alex Ross Perry and Robert Greene discuss capturing the spirit of the 90s’ most ironic indie band by splicing together musical, biopic and exhibition.
With unfettered access, The Accidental President paints a deeply human portrait of Belarus’ reluctant opposition leader Sviatlana Tsikhanouskaya.
The ten-years-in-the-making Tezeta is a lively and fascinating portrait of Armenia’s contribution to Ethiopian musical history.
A personal tale of atomic devastation set in the stunning town of Nagasaki, Laurence Lévesque’s Okurimono is a slow-burn inquiry into the ever-present past.