Filmed over the course of ten years, Pieter-Jan De Pue’s documentary Mariinka is one of the best films made about the Russian invasion of Ukraine.
Ukrainian Rhapsody in 16mm
Exploring the Outer Edge of Film
Filmed over the course of ten years, Pieter-Jan De Pue’s documentary Mariinka is one of the best films made about the Russian invasion of Ukraine.
Dad Genes has a brilliant premise — a man in his 50s reconnecting with his sperm donor children — but is derailed by perfectly middle-of-the-road filmmaking.
Patric Chiha’s A Russian Winter is a minor work, but a nonetheless rewarding one: capturing exiled Russian youth in a tragic holding pattern.
Naval-gazing documentary Two Mountains Weighing Down My Chest is a funny, lacerating look at being caught between two very different cultures.
Why Do I See You in Everything? surveys the notion of home amid living in exile, but feels unfocussed while tending towards the tedious.
Barbara Forever is a loving tribute to the life and work of Barbara Hammer that excellently shows how she paved the way for many queer filmmakers to come.
Two balding men travel to Instanbul for a transplant in Manoël Dupont’s uneven yet fascinating hybrid film Before/After.
With careful drone footage and plenty of nature shots, Dmytro Hreshko creates a powerful portrait of how Russia has commited ecocide in Ukraine.
With no voiceover used, Maciej J. Drygas relies entirely on montage, music and sound design to use trains to tell the story of the twentieth century.
Over the course of three hours, Alex Ross Perry knowingly charts the rise and fall of the video store, from cultural icon to modern irrelevance.