Mother Vera displays its photography origins with stark yet visually striking black-and-white photography, depicting the life of a nun in remote Belarus.
Mother Vera. Breaking the Habit
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Exploring the Outer Edge of Film
Mother Vera displays its photography origins with stark yet visually striking black-and-white photography, depicting the life of a nun in remote Belarus.
Blessed with a treasure trove of archive material left by her father, Maria Stoianova shares her story growing up during the collapse of the Soviet Union
Francisco Rodriguez Teare’s hybrid debut Otro Sol is a creative and crafty investigation of criminal and colonial legacies — in Chile and beyond.
Long consigned to the cinematic sidelines, perpetual extra Henrike Meyer gathers her manifold experiences into a touching journey of self-actualisation.
A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
55 years in the making, Edgar Reitz’ wonderful Subject: Filmmaking is a charming case for obligatory film classes in schools everywhere.
Architecton has some awe-inspiring visuals, but its let down by its distracting high frame rate and suspect choice of images.
A rigorous and brutal documentation of Russian brutality in Ukraine, Intercepted’s absences stir the worst recesses of the human imagination.
As IDFA as an institution failed to find the correct response to pro-Palestinian activism, the films themselves had an equally knotty relationship to facts.