Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Balearic Can’t Find The Beat

Exploring the Outer Edge of Film
Ion De Sosa’s dreamy follow-up to horror hit Mamántula is a disappointment, despite all those lovely 16mm images.
Kamal Aljafari’s urgent With Hasan in Gaza might be shot in the autumn of 2001, but its images speak firmly to the present onslaught by the Isreali regime.
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
What Does that Nature Say to You, the latest film from Hong Sangsoo, is another poetic slice of life gem about what constitutes a good life.
Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
New York Counter Film Festival, created in opposition to NYFF’s Zionist ties, enjoyed its inaguaral, radical edition. We report from the frontline.
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.
In a cinema culture dominated by Hollywood, Festival de Vitória, now in its 31st year, puts a necessary spotlight on homegrown Brazilian film.
The story of Armenia’s complicated suffering is laid bare in two stylistically opposite yet thematically linked films. From Golden Apricot Film Festival.