While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
Out Of Love. Elevated Social Realism.

Exploring the Outer Edge of Film
While the story of Out of Love is nothing new, Nathan Ambriosioni’s carefully-measured style shows him off as a director of great techincal talent.
A lesbian relationship is put to the ultimate test in Josalynn Smith’s debut feature, the tenderhearted and politically resonant road movie Ride or Die.
What Does that Nature Say to You, the latest film from Hong Sangsoo, is another poetic slice of life gem about what constitutes a good life.
Pink clothes become a metaphor for difference in Margherita Ferri’s nuanced The Boy with Pink Pants, based on a devastating true story.
New York Counter Film Festival, created in opposition to NYFF’s Zionist ties, enjoyed its inaguaral, radical edition. We report from the frontline.
Pavements is a biopic, musical and exhibition, with Alex Ross Perry applying the idiosyncratic spirit of the 90s band to novel forms of cinematic expression.
In a cinema culture dominated by Hollywood, Festival de Vitória, now in its 31st year, puts a necessary spotlight on homegrown Brazilian film.
The story of Armenia’s complicated suffering is laid bare in two stylistically opposite yet thematically linked films. From Golden Apricot Film Festival.
With a tight 1:1 ratio and an eye for arresting visuals, Windless sure looks great, but its grief-laden tale fails to hit with the viewer emotionally.
The Story of Souleymane is a tightly-focussed, Dardenne-esque tale of an immigrant delivery driver trying to make ends meet that brims with heartfelt emotions.