Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
Yes, Past Lives Is as Good as They Say

Exploring the Outer Edge of Film
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
A family celebration provides the setting for a haunting coming-of-age tale, courtesy of auteur to watch, Lila Avilés. Golden Bear winner?
Through documentary-like framing and a cool distance from his characters, Zonana riffs on military classics to create a brutal yet intellectual critique of military culture.
There’s not much difference between Passages and a sketch show parody of a French art-house film. Let’s see how European Ira Sachs’ latest film truly is.
A bleak, arthouse cinema take on the classic Pixar formula, this tale of humanity’s last gasp shows you don’t need hundreds of millions to make a great sci-fi.
BlackBerry takes you back to the halcyon days before the iPhone became the ubiqutious smartphone in this entertaining rise-and-fall tech sotry.
The Berlinale 2023 opens with a trip aboard the tugboat of love. There is no need to get on. Here’s our take on Rebecca Miller’s She Came To Me.
Life isn’t a movie. But Tale of Cinema shows us all the wonderful things that can happen when the line between the two is blurred.
Decision to Leave is now out in cinema: should you make a decision to pay, or a decision to stay away? Find out more on our podcast.
The message is obvious. The style is undeniable. Here is why the way Triangle of Sadness is shot is more important than what it’s about.