When the Light Breaks is Rúnarsson’s return to his earlier, sadder work, but is undone by an unnecessarily sentimental streak. Opens Un Certain Regard.
When the Light Breaks Has (Almost) All The Right Takes

Exploring the Outer Edge of Film
When the Light Breaks is Rúnarsson’s return to his earlier, sadder work, but is undone by an unnecessarily sentimental streak. Opens Un Certain Regard.
A personal tale of atomic devastation set in the stunning town of Nagasaki, Laurence Lévesque’s Okurimono is a slow-burn inquiry into the ever-present past.
Blessed with a treasure trove of archive material left by her father, Maria Stoianova shares her story growing up during the collapse of the Soviet Union
In All, Or Nothing At All, presented in two unique, each-way versions, Jiajun Zhang captures the modern malaise of contemporary Chinese capitalism.
Long consigned to the cinematic sidelines, perpetual extra Henrike Meyer gathers her manifold experiences into a touching journey of self-actualisation.
A loose adaptation of a live performance about a failed film, Zia Anger’s docufiction My First Film both deconstructs and reinvents the filmmaking process.
Near the 25th anniversary of Peaches’ explosive second album, The Teaches of Peaches gives gret insight into her life. We talked with the team behind the film.
Hippos become a metaphor for Colombia, the state of humanity and the world’s capacity for cruelty in Nelson Carlo De Los Santos Arias’s unclassifiable Pepe.
Architecton has some awe-inspiring visuals, but its let down by its distracting high frame rate and suspect choice of images.
Funnier than most out-and-out comedies, Sterben captures the messy absurdity of life in all its glory, despite, or perhaps, because of, the sad subject matter.