History, nostalgia and shame collide in three documentaries exploring contrasting cinematic memories in this year’s Visions du Réel Burning lights Competition.
Visions du Réel Burning Lights: Cinema, Now More Than Ever
Exploring the Outer Edge of Film
History, nostalgia and shame collide in three documentaries exploring contrasting cinematic memories in this year’s Visions du Réel Burning lights Competition.
Found-footage documentary Manifesto is both a startling, necessary film but also a disturbing one, calling into question filmmaking ethics in a fascist state.
An Armenian animated documentary and a shape-shifting Ukrainian 90s-set film noir characterise a strong start to goEast Film Festival.
While the 2D observational moments of Suzume are keenly felt, the overall message is lost in a morass of muddled storytelling and messy CGI.
A perfect cast and a breezy tone, intermingling with moments of horror and danger, characterise Afire, a more low-key effort from Christian Petzold.
The explicitly German section of the Berlinale, Perspektive Deutsches Kino is a fascinating example of film festival soft power diplomacy.
With Infinity Pool Brandon Cronenberg succeeds in turning lust and indulgence into a car crash of increasingly unnatural scenes we cannot look away from.
Hong Sangsoo innovates with new techniques to create his best film since On The Beach at Night Alone with In Water — a tremendous ode to the magic of art.
Usually Sundance-hype films are overheated and underwhelming. The sly, smart Past Lives is a brilliant exception to the rule.
A family celebration provides the setting for a haunting coming-of-age tale, courtesy of auteur to watch, Lila Avilés. Golden Bear winner?